Peteski
Active Member
This is an interesting perspective and no doubt true. But for me it’s all about the music and I find that when driving along in a car some bass is lost within the low frequency road noise (and engine noise/vibration in an ICE car!). So I always end up compensating for that loss by boosting the bass frequency. I only do this in moderation, but I usually prefer it. With the Tesla premium audio I boost the sub and bass sliders by a couple of points and it sounds pretty good. Just slightly bass heavy when stationary, but quite well balanced when cruising along at speed. If I try to crank up the bass too far in our M3 LR it gets quite muddy and unpleasant. So I live with a little less bass weight than I would ideally prefer. Our MX premium audio had a much tighter and more powerful bass, but that was exceptional. Our M3 LR audio is still pretty respectable, at least via Spotify.BMW good?
Not in my experience. Our BMW is getting on a bit now but it has a £700 audio upgrade and our M3 2020 is still better than the BMW. I dread to think what the standard BMW audio is like.
As others have mentioned, source quality is the key. It's an enormous difference if the source is good quality. Not just bit rate, but well mastered in the studio. I use Disney for a lot of my audio testing, high budget movie production which translates well to the commercial audio sales, especially musicals like Sing, Moana and things like that.
If you want to do it right in terms of set up, you can download frequency tracks (20hz, 40hz, 60hz etc etc) play them individually, and use an spl meter to measure the dB. You're looking for as flat a line on the dB as you can find at each frequency. You can download spl apps on your phone if you don't want to buy equipment (I've got all sorts, spl meters, light meters, colourometers etc for my home cinema lol) and while a phone spl meter isn't perfect, it gets you in the right ballpark.
You can then fiddle with audio settings to try and get that flat dB line at various frequencies. You absolutely won't achieve a flat line, but that's not the point. I find distortion at the low end, and for my particular taste, I would rather have no low frequencies than audible distortion so generally in cars, I find myself turning the bass down, wheras most people turn it up to try and make improvements.
When you achieve by my method is that in most stock cars audio systems, you get cheap (ish) amplification and it's the low frequencies that are the biggest draw on power. By reducing the bass, you put less draw on the amp which 'may' lead to an improved midrange and therefore, and overall better listening experience.
Most people think distortion is due to bad speakers. 99 times out of 100, its due to not enough amplification. So reducing bass can free up much needed midrange quality if you want to enjoy higher volumes undistorted.
I'm speaking generally here, as some of you will have subwoofers with their separate amplification (happy days!) so you are in a stronger position that way in terms of dialling in optimum performance.
But overall, a key mistake is that people turn up the bass to try and improve the audio in stock systems which can end up making it worse. It you aren't going to tune your car like I described, then simply try turning the bass down a bit and feed it some good source material. That on its own should help you on your way towards a better listening experience.
Just to add that I think the mid and high frequency audio in all Teslas I’ve owned with premium audio has been crystal clear with great sound staging. Voices are a particular stand-out on some tracks. No complaints there.
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